Skip to main content
Zeit Contemporary Art
Salon Art + Design 2024
ART FAIRS

Salon Art + Design 2024

Park Avenue Armory
643 Park Ave, New York, NY
Booth D7
Installation view at Salon Art + Design 2024 in New York, with framed works arranged across a white booth wall above a table and chairs.
Installation view at Salon Art + Design 2024 in New York, with a large work beside a grid of smaller framed works above a table with chairs and flowers.
Installation view at Salon Art + Design 2024 in New York, showing the booth from an angled view, with framed works above a table with books, chairs, and flowers.
Installation view at Salon Art + Design 2024 in New York, with framed works clustered on a black wall above a table with chairs, books, and flowers.
Installation view at Salon Art + Design 2024 in New York, with framed works arranged on a black wall above a pedestal with floor-standing works.

Installation views, Salon Art + Design 2024

In November 2024, at the Park Avenue Armory, Zeit Contemporary Art built its presentation for Salon Art + Design around four pairings spanning modern, postwar, and contemporary art: Andy Warhol with Damien Hirst, Julio González with Eduardo Chillida, Henri Matisse with Ellsworth Kelly, and Andy Warhol with Tom Wesselmann. The first half of the booth turned on mortality, material, and space; the second on color, nature, intimacy, and the body. These are artists rarely placed in conversation with one another, yet each pairing revealed a shared vocabulary for translating feeling into form.

Warhol and Hirst approached death through seductive surface and symbolic charge. In Love Poems, Hirst used butterflies as emblems of beauty, fragility, and impermanence. González and Chillida explored the expressive force of form and void in turn. González's late-1930s bronzes turned the hand into a sculptural sign of resistance, while Chillida's etchings translated a lifelong investigation of space into dense, architectural fields of black and white.

Matisse and Kelly shared a gift for distilling natural form into essential structure. Matisse's botanical and figural works on paper sat alongside Kelly's lithographs, where color and contour become their own experience of clarity. The closing pairing, Warhol and Wesselmann, took up the body through drawing and desire: Warhol's early works from the 1950s show an intimate, vulnerable side of the artist before his public persona took hold, while Wesselmann's studies for the Great American Nude and Sunset Nude series turn to sensuality and graphic compression. Taken as a whole, the four pairings sustained conversation between art and design, image and object, surface and feeling.

Selected Works

Selected Press

Stay Informed

Receive occasional updates on exhibitions, newly available works, original research, publications, collecting insights, and gallery news from Zeit Contemporary Art.

We use your information to provide occasional updates tailored to collectors, scholars, and members of the broader art community. You may unsubscribe at any time. Please see our Privacy Policy.

Cookies

We use necessary technologies to operate this site. Optional analytics and external media require your permission. Cookie Policy