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Zeit Contemporary Art
Palm Beach Modern + Contemporary 2022
ART FAIRS

Palm Beach Modern + Contemporary 2022

Palm Beach County Convention Center
650 Okeechobee Blvd, West Palm Beach, FL 33401
Booth D6
Installation view at Palm Beach Modern + Contemporary 2022 in West Palm Beach, with framed works displayed across several booth walls, including a dark accent wall.
Installation view at Palm Beach Modern + Contemporary 2022 in West Palm Beach, with framed works on partition walls visible through an opening from the aisle.
Installation view at Palm Beach Modern + Contemporary 2022 in West Palm Beach, showing framed works across multiple white wall planes in an angled view into the booth.
Installation view at Palm Beach Modern + Contemporary 2022 in West Palm Beach, with framed works visible around a black partition dividing the view.
Closer installation view at Palm Beach Modern + Contemporary 2022 in West Palm Beach, with framed works above a table with chairs, books, and flowers.
Installation view at Palm Beach Modern + Contemporary 2022 in West Palm Beach, with framed works above a table with flowers and a sightline through an opening into another booth section.

Installation views, Palm Beach Modern + Contemporary 2022

In March 2022, Zeit Contemporary Art's booth at Palm Beach Modern + Contemporary offered a considered group of twentieth and twenty-first century works. It opened with a dialogue between artists drawn together by nature, then moved into Pop's afterlife in the 1980s and beyond.

Joan Miró and Alexander Calder opened the dialogue, artists often shown together in the 1930s at Pierre Matisse Gallery. Calder's lively gouache Dolmens sat alongside Miró's Femme, oiseaux, in a vivid exchange of gesture, color, and poetic abstraction. A second group turned to spring itself, through works by Paul Gauguin, Julio González, Ansel Adams, and Andy Warhol, each artist finding in nature a source of joy, wonder, or spiritual resonance.

A further section considered Pop after Pop Art, beginning in the 1980s with Warhol, Roy Lichtenstein, Keith Haring, and Julian Opie. Warhol's late Ad paintings and Lichtenstein's American Indian Theme series revisited popular imagery from within the artists' mature practices. Haring's Icons and Opie's Caterina distilled the figure into instantly recognizable signs. The booth closed on a wider view: Josef Albers and Robert Mangold in dialogue through color, structure, and perception, major prints by Henri Matisse and Philip Guston, and works by Joaquín Torres-García and Oscar Murillo exploring abstraction across cultures and historical moments. It was a fitting range for a gallery whose program runs from early modern to contemporary art.

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