Sol LeWitt’s Irregular Grid from 1999 stands as a testament to his relentless exploration of geometric abstraction and his remarkable ability to infuse simplicity with profound complexity. Initiated in the...
Sol LeWitt’s Irregular Grid from 1999 stands as a testament to his relentless exploration of geometric abstraction and his remarkable ability to infuse simplicity with profound complexity. Initiated in the 1970s, this series of gouaches and drawings are a departure from LeWitt’s earlier works characterized by strict geometrical regularity. In the present gouache, LeWitt allows himself greater freedom, introducing subtle variations that give the work an organic and hand-drawn quality, even though this gouache is meticulously executed according to predetermined guidelines. The variations present in this composition within a system is the hallmark of LeWitt’s ingenuity, demonstrating how a seemingly irregular grid can possess its own unique sense of order and logic.
This gouache as well as other related works on paper and prints not only showcase LeWitt’s aesthetic evolution but also emphasizes the importance of process and procedural art in his practice. These works involve a rigorous method of execution and offer a unique viewing experience, where viewers can discern the subtle shifts and deviations that breathe life into these compositions, inviting a closer examination of the intricate relationship between order and randomness in art.
The present gouache on paper is noteworthy because of its ability to bridge the gap between conceptual and visual art. The lively yellow gestural grid exemplifies the idea that art is as much about thought and process as it is about the finished product. LeWitt’s exploration of irregularity within an ordered system challenges viewers to think critically about the ways we perceive and appreciate visual art, demonstrating that even the most subtle deviations from the norm can yield breathtaking and thought-provoking results.
NOTES
This artwork is signed and dated in pencil on the lower right.
We appreciate Ms. Sofia LeWitt's kind assistance in the cataloguing of this artwork.