Triangulated Intaglio II, 1976
Single-color copper plate etching and aquatint on mould-made white Arches Cover
24 x 20 in (61 x 50.8 cm)



Anni Albers (Berlin, Germany, 1899 – Orange, Connecticut, 1994) was an artist, textile designer, printmaker, and educator, and remains one of the most influential textile artists of the twentieth century.
Albers studied painting privately with the German Impressionist Martin Brandenburg from 1916 to 1919 before enrolling at the Bauhaus in 1922, where the school assigned her, as it did most women, to the Weaving Workshop. There she met her future husband, Josef Albers, whom she married in 1925; she completed her diploma in 1930 and went on to lead the workshop. In 1933, Anni and Josef Albers immigrated to the United States and founded the art department at Black Mountain College in North Carolina, where Anni Albers built a curriculum that integrated weaving with industrial design.
Single-color copper plate etching and aquatint on mould-made white Arches Cover
24 x 20 in (61 x 50.8 cm)
Single-color copper plate etching on mould-made white Arches Cover
24 x 20 in (61 x 50.8 cm)
Single-color copper plate etching in red on mould-made white Arches Cover
24 x 20 in (61 x 50.8 cm)
Essay · Allison Hayes · September 9, 2025
Silence, Pressure, and the Elegance of Restraint
In Anni Albers’s Triangulated Intaglios, recognizing a pattern is only the beginning of understanding it. The compositions draw the eye back over ground it seemed already to know, finding new relationships within familiar forms. This gradual unfolding gives the prints a distinctive tempo: their geometry can be grasped at a glance, yet following its internal relationships requires a slower, more searching attention.
Read MoreAna Robledano
Elena Martinique
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